Collections

Swim until our lanes cross

Swim until our paths cross, negotiates the emergence of patterns through movement using the example of swimming. While swimming, thoughts play with the black marks on the bottom of the pool until they form and colorfully leave the water. A graphic score is created which in turn serves as a template for sound and movement Swim until our lanes cross

fünf hoch fünf

fünf hoch fünf (five to five)Our tent had the colour …, so people often start to tell stories when they see the belt bags made of DDR-tent fabrics. The colours and fabrics bring back memories that come back to us on the streets. All over the country a story is remembered, told and carried on.

planschen

planschen (splash) Dive into the decorated water and divide it between them. „… The immediate necessities are more closely related to human beings.surrounds his being with a narrow periphery. The superfluous overflows, i.e. it continues to flow away from its starting point, and by holding on to this starting point, it lays around the area planschen

Untersetze Ellbogen

Untersetze Ellbogen (support elbow)Worn in public spaces, these garments are always an occasion for conversations about the numerous iron-on bead pictures of children and grandchildren. But also about surfaces and their contents, which should not only be replaced but also protected.

Rückenbeutel

Rückenbeutel (Backpouch) Our tent had the colour …, so people often start to tell stories when they see the back bags made of DDR-tent fabrics. The colours and fabrics bring back memories that come back to us on the streets. Distributed all over the country, a story is remembered, told and carried on.

Wo wohnt die Wurst

Compaction of lightly packed now easily fragileeasy to get and easy to discard.Collecting these filled moments creates highlights of living spaces.Between them, analogies that I record, examine and further explore.

Die Relevanz des Firlefanz

Die Relevanz des Firlefanz (The relevance of frippery) What’s “frippery”? The work asks what role the “unnecessary things” actually play and illustrates the “invisible” and seemingly “incidental” that clothing is made of through associative installations.